After much time away from playing music, I am slowly getting back into the groove in more ways than one. Leading a band is hard, especially with a family and a full time job. So I decided that the huge wall of sound may not be for me. I have started back with some of the guys playing ALL acoustic. This feels nice. We are gonna show off the all acoustic at Cantine Winepub in Aptos on December 6th. Show starts at 7:30. Come hang out and sing along!
Glad to be back.
Oh and I am starting to spin Vinyl Records at a night we are calling Vinyl Sunday. The idea is to have a different theme music for each night and pair some wine, beer and tapas specials with the music. Chill out on a Sunday afternoon to some favorite genres.
by Adam Joseph
It was one of those lightbulb moments, when Amee Chapman, then 15, was asked to sing with a band her father recruited for her mother’s birthday.
“My mom always says that my face lit up when the band played the first note,” she says. “I was like, ‘Oh yeah, it’s on.’”
From that day on, Chapman knew music would have a predominant role in her life. After several years as a solo folk act, she added a band to the mix, the Velvet Tumbleweeds, with Mike Johnson (guitars, ebo, lap steel), Slade McCombs (bass), Paul Garcia (drums), Mike Sparber (mandolin) and Dave Wren (pedal steel). The band brought an Americana spin to her sound while paying homage to her father, who was always playing Merle Haggard and Willie Nelson records.
“[The band] adds twang to the storytelling,” she says. “I call [our music] sage-brushed soul—there’s some country and folk and old R&B influences.”
Chapman’s new record Grace is Hell to Keep—the title inspired by a weathered showman who loved what he did despite the toll touring took—embodies all of those influences through pedal steel, banjo, mandolin and organ.
Alongside crashing cymbal and weeping lap steel, Chapman conjures the vigor of Loretta Lynn on “Darkest Blue.” The Texas-scented ballad “Not Too Late” is an amalgamation of lush pedal steel with Chapman exuding sensuality and ruggedness. The words are a cherry on top: “We’re falling asleep to the scent of the sea/ Talking drunk, sand in our sheets.”
Chapman’s wife Nichole Robbins pens most of the song lyrics—rarely is the songwriting team ever out of sync.
“I can think of only a handful of times where I couldn’t do anything with [her lyrics],” Chapman says. “I think because we’re living the same kind of experience, we think about the same things to write.”
Chapman and the Velvet Tumbleweeds make their Fernwood debut on Saturday.
Amee Chapman and the Velvet Tumbleweeds perform at 9pm Saturday, June 8, at Fernwood Tavern and Campgrounds, 47200 Highway 1, Big Sur. Free. 667-2422.
Thanks to Adam Hook of Soaked in Sound for reviewing the record.
“Grace is Hell to Keep is an album that should occupy the collection of every music lover. The body releases a great sigh with each song because it knows that there is another composition to combat the seemingly endless ridiculous excuse for music getting attention today. “
Every Year, the Good Times does a Best of Vote. Please take a moment and vote for us in the Best Local Band AND/OR the Best Local Solo Musician Categories. Try and fill out as much as you can to be entered in a prize drawing. Deadline to Vote is Sunday March 11.
We would be much obliged!
Working on this site as we speak. Getting it all Social Mediatated.
Should be finished with the record in March. Yeah! The time has come. Stay Tuned.
Booking shows for the Spring and Summer. Some exciting ones coming up.